W MAGAZINE – Google actress Olivia Wilde’s name and you’ll find an impressive reel that includes credits like Her and Vinyl, which is, of course, not surprising. What may be surprising, however, is that Wilde quietly teamed up with eco-beauty brand True Botanicals earlier this summer. “I feel lucky to be their chief brand activist, because I have the chance to introduce people to a safer way to feel beautiful,” says Wilde. Here, she sounds off on adventures at Whole Foods, set life on the show House, and which products she trusts for her ethereal glow.
Was motherhood the big wake up call in cleaning up your beauty routine?
Yes, absolutely. We often don’t consider what we’re putting on our skin until we’re responsible for growing another human. Why can’t we be that thoughtful on behalf of just ourselves? I was struck by how serious the warnings were about the dangers of skincare while pregnant. Why is it okay to expose ourselves to such harmful chemicals at any point in our lives?
How did you find out about the lack of regulation in the beauty industry?
I was not aware of the complete and utter lack of regulation in the American beauty industry until I met Hillary [Peterson] and Christina [Mace-Peterson] from True Botanicals. I knew the US was behind in terms of regulation, but I was not aware of just how far behind. The EU has banned more than 1300 ingredients. The US has banned 20. It is beyond shocking. It’s sad.
Continue reading Olivia Talks with W Magazine
Please welcome Professor Olivia Wilde to the class.
The actress treated students in a Made in NY production-assistants training program to what might be the best April Fools’ Day “prank” ever.
As part of WhoSay and Chevrolet’s #BestDayEver campaign, celebs including Alec Baldwin, Ian Somerhalder, Nikki Reed and Norman Reedus surprised students in New York, Los Angeles, and Atlanta.
Wilde shared stories from her personal journey in the movie business, including her unglamorous start as a production assistant.
“There is no worse PA than me. I was the worst,” Wilde told the class. “I mean, one of my only jobs was to get lunch, and I would screw that up every day.”
“Then I learned a really important lesson: as long as you get the boss’s lunch right, no one else matters,” she continued. “So, I would get one lunch correct, and everyone else’s order I would sort of not quite get it down.”
The new mom also recalled meeting her future costars – with coffee in hand.
“I was the one with the clipboard, I was the one getting coffee,” she said. “It’s funny because now I’ve worked with a lot of actors who I brought coffee to, and you can always judge someone’s character by how they treated you when you were a PA.”
Wilde went on to discuss why starting out as a PA makes a person a better overall contributor on set.
“Anyone who didn’t start from the ground up and didn’t understand what it takes to make a production work, isn’t going to be that great at their job,” she said. “And they certainly are not going to truly respect every person and every part of the process.”
So why did the star decide to return to the classroom?
“I agreed to do it because I thought it was a great concept,” Wilde told PEOPLE. “I really love creative advertising, and I think when a big company like Chevy decided to take this approach and create a special experience for people, not only do I think that’s smart advertising but I just admire it as a way to give back.”
“Sometimes we forget the value of just making one person’s day,” she continued. “I thought this was a chance to maybe give a handful of people a special moment. And actually what it turned out being is a special day for me.”
The students agreed it was definitely a day made.
“I was shocked! She peeked her head in the door and I was like ‘Okay, she’s really here, let me keep my composure,'” one student told PEOPLE. “It was the best April Fools’ prank – this is really huge!”
Magazine Scans > In 2015 > Look Magazine UK – March 2015
HBO is staying in business with Martin Scorsese and Terence Winter.
The premium cable network has picked up to series the Boardwalk Empire duo’s rock ‘n’ roll drama that’s also exec produced by Rolling Stones frontman Mick Jagger and Breaking Bad’s George Mastras, The Hollywood Reporter has learned.
The 1970s drama — which remains untitled — explores the drug- and sex-fueled music business as punk and disco were breaking out, all through the eyes of a record executive trying to resurrect his label and find the next new sound.
Bobby Cannavale (Boardwalk Empire, Nurse Jackie) stars as Richie, the founder and president of American Century Records, who has a great ear for discovering talent and who undergoes a crisis of character when confronted with a life-altering decision. Olivia Wilde stars as Richie’s wife, with Parenthood’s Ray Romano set as one of Richie’s partners. The cast also includes Juno Temple, Andrew “Dice” Clay, Ato Essandoh, Max Casella, James Jagger, Jack Quaid, Birgitte Sorenson, P.J. Byrne, J.C.MacKenzie, Bo Dietel, Armen Gary, Robert Funaro and Joe Caniano.
Scorsese directed the pilot and executive produces alongside Jagger, Winter, Rick Yorn, Victoria Pearman, Emma Tillinger Koskoff and Mastras. Winter is set as showrunner and penned the script with Mastras. A premiere date has not yet been determined.
For HBO, the rock drama continues the premium cabler’s relationship with Scorsese and Winter following the conclusion earlier this year of Boardwalk Empire. The drama, which was first put into development in 2011, becomes HBO’s latest series offering as it bulks up on hourlong fare following the end of staples True Blood, Boardwalk and The Newsroom. Last month, HBO added its Westworld adaptation to its series roster, picking up the drama with an all-star cast anchored by Anthony Hopkins in his first series-regular role.
The rock drama joins a roster of originals that also includes Game of Thrones, anthology True Detective, The Leftovers and upcoming Utopia.
HBO’s rock drama comes as scripted musical fare continues to be in demand at both broadcast and cable networks. Fox will launch Empire, a hip-hop drama starring Terrence Howard, in January, with ABC also poised to bow its musical fairy tale comedy Galavant during the same frame. ABC’s country drama Nashville is in its third season and Fox has the final season of Glee due in 2015. For its part, Starz on Monday put Storyville, a period jazz drama produced by Tony winner George C. Wolfe, into development.
Olivia Wilde has never shied away from voicing her opinion on political matters, and this upcoming election is no exception.
The actress and new mother is speaking out in support of Proposition 47, a California voter initiative which reduces penalty time for certain crimes.
“Family is everything. I’ve always felt that way, but having a baby this year really drove that truism home,” Wilde began.
“Being a mother has reinforced and refined my thinking on many issues, including—believe it or not—our criminal justice system. That’s why I’m supporting Proposition 47.”
Wilde gave birth to her first child with Jason Sudeikis, a baby boy named Otis, earlier this year. She and Sudeikis are engaged but have yet to tie the knot.
Wilde continued on about the initiative, saying that her family “instilled, since I was a child, a commitment to critical thinking. Don’t believe what you hear; explore and analyze what you encounter to determine your own truth. This family trait has led me to not only think deeply about societal issues but also to act. Having my son has only increased my desire to do so.”
She continued, “I also am one of several Artists for 47 endorsing the initiative, ranging from Jay‐Z to Brad Pitt to Cameron Diaz and John Legend. We’re united in this effort because our current justice system is tearing apart families for low‐level crimes, and draining community resources and tax coffers to pay for it. It hasn’t worked, and I urge Californians to join me on November 4 in voting yes on Prop. 47.”
Olivia Wilde wrote a piece for the Huffington Post yesterday about Haiti and her new documentary, “Baseball in the Time of Cholera”.
Since 2009, when I first started traveling to Haiti, I have had more than a few glimpses into the gruesome effects of poverty. The first time I walked through the halls of the general hospital in downtown Port au Prince, I stopped short of knocking into a cart of dead children, recognizable by the tiny hands sticking out from under a sheet the size of a newspaper. I have handed out bags of government-issued rice to a roaring crowd of hungry refugees, surging in a swell of anger and despair. I’ve loaded bodies, sometimes four at a time, into body bags as part of an effort to provide a proper burial to carcasses rotting in the hot, nightmarish city morgue.
By far the most infuriating tragedy I have witnessed in Haiti is a child succumbing to cholera after a sudden and merciless sickness that wrings the body of fluids and, eventually, life itself. I am branded by this memory. The little girl (I can only guess she was three, small for her age like most kids here) was one of 500,000 sick from a disease raging through the country like wildfire. Volunteer doctors, on yet another 24-hour shift, scrambled to drill holes in her bones, her veins too collapsed to accept IVs. As she wailed in agony, I looked down at my sneakers, which I will dip in chlorine on my way out of the tent where she will die, and cursed the capacity for human stupidity that allowed this to happen to this child, as beautiful and fragile and trusting as Haiti herself.
By now, a year and a half after cholera appeared in Haiti, the first time in a century, it is widely accepted that the Nepalese UN soldiers brought the disease to the country due to sheer inept sanitation management. To put it simply, they allegedly let their contaminated shit run into the water source for the entire nation. And so, a country already savagely crippled by the quake was thrust into yet another crisis all because a group of soldiers, sent to maintain stabilization, was never tested for a highly contagious deadly disease endemic to their own nation. It was a staggering example of dangerous laziness, on par with tossing a lit cigarette while pumping gas.
Despite this pathetic failure to enact simple preventative measures, the UN tried everything to wiggle out from underneath the thumb of justice, even as outraged Haitians rioted outside their headquarters. Even their own UN expert report issued last May cited “overwhelming” evidence that the cholera originated in South Asia, and posits two different ways that waste from a UN base likely leaked into Haiti’s largest river system. Their fault is established fact at this point, and yet 7,000 people are dead and the UN has yet to issue an apology, or prioritize prevention of another outbreak.
Haiti is the third-largest UN peacekeeping operation in the world, though the country hasn’t seen a war in our lifetimes. Their mission in Haiti, known locally as MINUSTAH, has an annual budget of 800 million dollars, and yet, shockingly, there has been no large-scale reallocation of funds to cholera treatment and prevention. Providing clean drinking water for all Haitians — the only way to control the epidemic — would cost 746 million to 1.1 billion dollars. It would take only 18 days of their operating expenses to fund a cholera vaccination campaign that would cover the entire country. It seems obvious that this should be an immediate mandate for the UN, but, according to human rights lawyer Brian Concannon, director of the institute of Justice & Democracy in Haiti, “The UN fills many important roles that no other organization could fill, but one thing the UN does not do well is respond fairly when it does something wrong.” Such a sordid reputation is dangerous in a country whose survival depends upon the peaceful cooperation of foreign aid organizations and the local population.
Concannon is representing Haitian survivors of the epidemic in their case against the UN. They are asking for an apology as well as the infrastructure necessary to control the epidemic, and compensation for the victims and their losses. Concannon is one of the many experts appearing in a documentary I produced, premiering at Tribeca this week, called Baseball in the Time of Cholera, which follows the effects of the outbreak on a young Haitian athlete named Joseph, and the scandal surrounding the UN’s involvement. Joseph, an enthusiastic Little League pitcher, has found a foothold in life as he rebuilds a sense of normality with his family after the earthquake, only to be shoved back into the pit of chaos by a sudden foreign sickness that kills his mother, Marie Claude.
Directed by David Darg, and Bryn Mooser, both aid workers living in Haiti, the film is uniquely personal in its perspective and bold in its assertions, and is an important piece of advocacy in the struggle to stop another devastating outbreak of cholera as the rainy season descends this month. We made this film because it is simply not an option to let the 7,000 men, women and children killed disappear into the cold swamp of statistics. I felt gutted by helplessness watching a small child die of cholera, but with this film, and with our collective voice, we have a chance to save thousands of lives by forcing the UN to make clean water and sanitation their priority in Haiti.
To sign a petition adding your voice to the call for action, go to www.undeny.org.
Actress Olivia Wilde has confirmed that she is dating someone – but won’t reveal who.
The 27-year-old star has recently been romantically linked to several men, including actors Justin Timberlake and Bradley Cooper, since she split from her husband Tao Ruspoli in February after nearly eight years of marriage.
When asked if she is currently dating, Wilde told British OK! magazine: ‘Yeah. I like it if the guy possesses creativity and doesn’t take me to a boring restaurant or a boring whatever but comes up with an interesting location. I like to be surprised, for sure.’
Olivia also discussed the break down of her marriage, revealing that she has learnt a lot about herself since she split from Tao.
The Cowboys & Aliens star added: ‘Well, it’s [divorce] traumatic and humbling, and for the first time I’m a bit rickety. But I think it’s very healthy to spend time alone. You need to learn how to be alone and not be defined by another person. ‘But still, you don’t feel so good – more like you’ve failed. I’m afraid that people think I didn’t try enough or something, or I don’t live up to any sort of ideal.’
Olivia Wilde has admitted that she and other women developed a crush on English actor Daniel Craig, who is preparing himself for his third James Bond movie, while filming her latest movie Cowboys & Aliens.
Olivia Wilde, who played Dr Remy “Thirteen” Hadley in TV medical drama House, stars opposite Craig in Jon Favreau’s comic book adaptation and says that female fans will definitely enjoy the film.
“He is the most beautiful man on earth,” Wilde told E! Online. “He really is.”
Wilde joked that as production on the film went on, the producers seemed to find more and more ways to exploit Craig’s sex appeal.
“They kept making (his chaps) tighter,” she revealed.
“You could tell we had female executives because he kept getting tighter pants and he would have random shirtless scenes.
“We were like, ‘Yes, finally the ladies are in charge!'”.
Cowboys & Aliens is to premiere in US cinemas on July 29, and in Australia on August 18.
Olivia Wilde doesn’t listen to rumours about her love life, preferring to “keep her head down”.
The actress split from her husband Tao Ruspoli in February after seven years of marriage and is currently rumoured to be dating Bradley Cooper. The 27-year-old hasn’t commented on the speculation though, and explained she never pays any attention to gossip.
“Well, I just try to focus on work,” she said. “I love to work. I’m in a very lucky position to be able to have roles now that I really enjoy working on, so I focus on that and keep my head down and try to do that.”
This week Olivia Wilde was honoured for her charity work, which is something she’s happy to discuss. Olivia Wilde attended organisation Fresh Air Fund’s Salute To American Heroes event in New York, where her dedication to helping people was praised. For the actress, being able to bring exposure to charities which mean a lot to her is one of the biggest perks of the job.
“I’m representing Artists For Peace and Justice, which is an organisation based in Haiti that provides education to the poorest kids of Haiti, and our [Fresh Air Fund and Artists For Peace and Justice] goals are very similar – to bring education and joy to kids who are desperately in need of those things,” she explained.
Fresh Air Fund gives children who come from cities the chance to experience life in the country.
Meanwhile, it’s been reported Bradley Cooper and Olivia Wilde are to team up on the big screen. It’s claimed they will appear alongside each other in The Words, where Bradley is set to portray a writer who steals another’s work. However, Olivia’s role is smaller and they apparently don’t have scenes together.
It’s hot in New York right now. Not awful… but getting there. And watching the premiere of Leverage, where the team heads to Alaska for a case, not only made me wildly jealous but provided just the escape I was craving. That’s summer TV for you! And we’re gearing up for the bulk of it, readers. So send in your scoop requests to email@example.com (that’s two r’s) or Tweet them to me @EWSandraG. I’m also accepting random questions about finales, questions for EW staffers, and your general TV musings. (I read them all when I run out of TV to watch, which happens more often than you think.) Thanks, as always, Roomies!
‘HOUSE’: CHASE AND THIRTEEN: IS IT ON?
There’s so much change going on at House, it’s both terrifying and a little exciting. Exciting because there’s no way to predict how the post-Cuddy world will shift this show. One option currently being explored? The advancement of the Thirteen/Chase chemistry we’ve all picked up on.
“I think the fact that Chase confessed to her about the Dibala incident from last season is a very [important statement]. I think they have a powerful bond. I hope we only explore that further in the future,” executive producer Greg Yaitanes told EW after we screened the episode “After Hours.”
Of course, the future of this possible couple depends on Olivia Wilde’s commitment to the show next year, which is currently up in the air. Creator David Shore says anything can happen. “We’ve got lots of options and lots of things we’re stewing about. But we won’t know for sure until we start digging into season 8. But that was a nice surprise toward the end of the season, seeing the two of them together.”