Olivia for PEOPLE Magazine

Olivia Wilde Says She’s Not Forcing Her Son Otis Into ‘Boy’ Things

PEOPLE – When it comes to raising her young children — Daisy Josephine, 18 months, and Otis Alexander, 4 on Friday — with Jason Sudeikis, mother of two Olivia Wilde says she’s not forcing them into anything.

The Booksmart director and Chief Brand Activist for True Botanicals tells PEOPLE for this year’s The Beautiful Issue that she finds it intriguing how kids have no judgment over gender-specific activities or colors, and wants to keep it that way for as long as she can.

“[Otis] loves Moana, obviously, and when he thinks about Moana, he thinks of himself as Moana,” says Wilde. “I love hearing him sing … it’s the best when you can watch them singing in the backseat of your car, and he’s just like, ‘I wish I could be the perfect daughter!’ And he’s just belting it out.”

She continues, “That’s so great because at a certain age he’s going to be like, ‘Well, I can’t, that’s … ‘ you know, and he still doesn’t judge things like pink, or dance or gymnastics. These aren’t things that are gender-specific yet.”

“I don’t know why at a certain point we tell them that’s for boys and that’s for girls, but I’m going to do my best to not force that delineation,” the actress declares.
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Amazon Studios Acquires “Life, Itself”

Amazon Wins $10 Million U.S. Rights Auction For ‘This Is Us’ Creator Dan Fogelman Film ‘Life Itself’

DEADLINEEXCLUSIVE: In one of the year’s biggest acquisition deals, Amazon Studios has made a $10 million-plus deal for U.S. rights to Life, Itself, a drama directed and written by This Is Us creator Dan Fogelman. The completed film is a multi-generational love story, weaving together a number of characters whose lives intersect over the course of decades from the streets of New York to the Spanish countryside and back. Oscar Isaac, Olivia Wilde, Antonio Banderas, Annette Bening, Olivia Cooke, Laia Costa, Mandy Patinkin, Sergio Peris-Mencheta and Alex Monner star. Pic’s produced by Temple Hill’s Marty Bowen and Wyck Godfrey, FilmNation Entertainment’s Aaron Ryder, and Fogelman.

Amazon won the project over Paramount and Universal, and it was a big one for Amazon under Jason Ropell’s leadership. This project has been on the radar of distributors since the script topped the Black List before it began production, and again when FilmNation presented the package at Berlin at a time when This Is Us had established itself as the biggest breakout hit network series in years. But the auction — which came down to Paramount, Amazon Studios and Universal in the end — really commenced after distributors heard about a couple of “friends and family” screenings of the finished film. Studios — which had already read the script — began making sight-unseen proposals, and three finalists emerged and were then shown the finished film. The bidders made marketing presentations and how they would release the film in the Oscar corridor next year. This process had been going on for the past 10 days.

The film will likely be unveiled next fall in a prestige festival like Toronto or Telluride, and it will broaden from there. Fogelman, who wrote the animated films Cars, Tangled and Bolt and then moved into live action with scripts Stupid, Crazy, Love, The Guilt Trip and Last Vegas, made his directorial debut on a small film, the Al Pacino-starrer Danny Collins. Life Itself, one-third of which takes place in Spain with Spanish-language dialogue and subtitles, fuses the complex emotional resonance of This Is Us in a feature format that puts Fogelman in a position to mine turf of James L. Brooks. The film liberally uses the music of Bob Dylan, specifically from his album Time Out Of Mind.

This is the third major film that FilmNation fully financed, which became a huge sale, after Arrival and The Big Sick.

Endeavor Content brokered the U.S. deal with FilmNation, latter of which is the international sales agent. Fogelman is repped by WME, Management 360 and attorney Bruce Gellman of Hansen Jacobson.

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Olivia Talks with W Magazine

Olivia Wilde on Motherhood and Why It’s Important to Stay Woke About Beauty

W MAGAZINE – Google actress Olivia Wilde’s name and you’ll find an impressive reel that includes credits like Her and Vinyl, which is, of course, not surprising. What may be surprising, however, is that Wilde quietly teamed up with eco-beauty brand True Botanicals earlier this summer. “I feel lucky to be their chief brand activist, because I have the chance to introduce people to a safer way to feel beautiful,” says Wilde. Here, she sounds off on adventures at Whole Foods, set life on the show House, and which products she trusts for her ethereal glow.

Was motherhood the big wake up call in cleaning up your beauty routine?
Yes, absolutely. We often don’t consider what we’re putting on our skin until we’re responsible for growing another human. Why can’t we be that thoughtful on behalf of just ourselves? I was struck by how serious the warnings were about the dangers of skincare while pregnant. Why is it okay to expose ourselves to such harmful chemicals at any point in our lives?

How did you find out about the lack of regulation in the beauty industry?
I was not aware of the complete and utter lack of regulation in the American beauty industry until I met Hillary [Peterson] and Christina [Mace-Peterson] from True Botanicals. I knew the US was behind in terms of regulation, but I was not aware of just how far behind. The EU has banned more than 1300 ingredients. The US has banned 20. It is beyond shocking. It’s sad.
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